Dan Liu SS 18 Collection
The new Dan Liu Spring/Summer 2018 collection could be described in three words: elegant, poised, and confident. The collection, which was inspired by the relaxed beach days of summer, as well as the beautiful pastel colors of spring, was presented at the Skylight Clarkson Sq on a sunny Sunday morning.
In his fourth season of New York Fashion Week, Dan Liu, who is of a Chinese-Japanese Canadian, played with traditional feminine silhouettes and textures, such as an A-line dress with ruffles. The color palette included almost every color of spring and early summer, ranging from baby pink and scarlet red to turquoise and royal blue.. In addition, whether for a day at the beach, or for a brunch with your girlfriends, the collection included an option for every occasion.
The opening look was a stunning red satin dress, which was a combination between a wrap dress and an A-line. The dress perfectly wrapped around the model’s waist, while it flared out at her hips. The dress stopped right above the knee, adding a slight seductive yet modest element into the look.
Another memorable look from the collection was a navy, white polka-dotted jumpsuit, which resembled the recently-retired pajama trend, but looked very beach chic. The look fit the model in an effortless way, which made it seem as if she has just woken up and gone about her day.
Each ensemble in the collection kept a bare minimum amount of accessories, and had beige pumps, or silver/gold ankle-strap heels to compliment it. In contrast, the makeup was statement-making and mesmerizing. With peacock feathers attached to the eyebrows of the models, the eyes were accentuated with heavy strokes of smudged black or brown eyeliner. In order to balance off the heavy eye makeup, each model wore a nude or a light pink gloss, which created an effect of party on the top and effortless beauty on the bottom.
For the grand finale of the show, Dan Liu presented a white, flowy wrap dress, which was accessorized with a hula-hoop that was covered with peacock feathers. As the model graciously marching by the attendees, each person in the audience pulled out their mobile device in order to record and embed the moment in their memory and in their iCloud. The look was a perfect end to the runway show since it created peace between the entire collection and the ideas behind it.
Photos courtesy of Getty Images for Dan Liu at NYFW: The Shows
Maison the Faux Show SS 18 Collection
On September 8th, New York Fashion Week got a little bit more fun and mysterious. MAISON the FAUX showed off its new collection, “#Fauxmosapien the evolution.” The Dutch fashion house approached its show as a “Faux” ritual, which consisted of a model, who also served as a wordless actor. The performer began spraying the water on the models as they were walking by -- almost as if they were being “baptized” into a new population; a population MAISON the FAUX likes to call "FAUXmosapiens”.
The collection portrayed an alternate world, in which the designers, Joris Suk and Tessa de Boer, were letting go traditional ideals of beauty and embracing a relatively new spin on an old movement in fashion: individuality. Models of every race, sex, and body type carried valiant confidence strutting down the runway, which made MAISON the FAUX even more special.
The collection itself was borderless and inclusive, just as the models. Red striped plastic bags, faux-furs, mermaid dresses with striped tutus, sequins, gallons of milk, and computers were just some of the things and fabrics the models were seen wearing. A male model in a red tutu with a plastic cape; another male model in a pink faux-fur coat and mismatched heels; a female model with a plastic bag for her purse and another plastic bag on her head; and a male model in black-and-white striped capris with a laptop on his arm to serve as arm candy, were just some of the outrageous yet fascinating looks designed by the designers for MAISON the FAUX.
MAISON the FAUX did not just produce a very curious and fun collection; it also had a front row to match it. The Fat Jewish and the Urban Bush Babes were just some of the A-listers, who attended the show. Others were fashion photographers, young musicians, and bloggers. Yet, all members of the audience, VIP and otherwise, had one thing in common: they were watching a show that was produced by a liberal, forward-thinking and anti-standard fashion brand.
After watching the show, one could confidently say that this collection was not the last for MAISON the FAUX. Filled with designs that reflected a forward-thinking and thought-provoking brand, MAISON the FAUX managed to leave its attendees speechless, causing the audience to not just reevaluate their perspectives, but also challenge society’s views. The show was not just a fashion show; it was an artistic movement with various powerful messages hidden within.
Photos courtesy of EB Consults