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Metrograph Presents: Made in Hong Kong

Metrograph Presents: Made in Hong Kong

Ten minutes through Fruit Chan’s Made in Hong Kong, and I’m hit with the impulse to say the film is 60% frame, 40% story. It’s beautiful. I’ve never seen a film so committed to its aesthetic, a film with words and shots and music married so seamlessly I’m aching to believe that the entire thing is a recording, and that Hong Kong is truly a place where grunge meets grain, and twanging strings accompany your every move.  

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But this version of Hong Kong is solely my own. In another ten minutes, it becomes clear that the Hong Kong Fruit Chan knows is much darker, more obscure. His protagonist, an arrogant, heroic delinquent named Autumn Moon, declares early on that “freedom comes first,”—a philosophy that seems easy in this lush, sunny world—but then spends the entire film fighting for it. Autumn wants the freedom to have sex—but the girl he loves is sick, in dire need of a kidney. Autumn wants the freedom that comes with power—but he’s poor, and hindered by a lack of education. Even at night, when most have the freedom to dream, Autumn is haunted by the bloody, unsent letters of a dead girl. He can hardly make a choice without an opposing force shutting it down, but, as the film goes on, it seems that this is the case for everyone living in Hong Kong. The city is plagued by triads, loan sharks, a convoluted health system—everything is off, soiled, even, and Chan communicates that with dirty underwear, milk-white blood, and a vicious, vengeful maiming. More than anything, it seems as if Hong Kong is broken. 

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In 1997, when Made in Hong Kong was released, the city was reeling with the aftermath of the Handover, which returned administrative control of Hong Kong from the British to the Mainland Chinese. Today, Hong Kong is embroiled in a series of anti-China protests labelled the Umbrella Movement. It is only fitting, then, that a film that so yearns for freedom is making a comeback. At its heart, Made in Hong Kong is a film that inspires rebellion—a film that decries subjugation. Autumn Moon never quite manages to gain the freedom he so craves. Will Hong Kong? 

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Made in Hong Kong will see its first U.S Release this Friday, March 6th, at Metrograph NYC. 


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