Tusk Wildlife Gala 2017
Last night, the historic, New York City landmark Guastavino’s was transformed into a momentary mysterious jungle to host the 27th anniversary gala. The Tusk Gala is a fundraiser to support Tusk’s mission to conserve African wildlife, while at the same time empowering local communities by alleviating poverty via sustainable development and education. Tusk provides promising solutions to the crisis facing Africa’s wildlife.
For over 25 years, Tusk has been funding Africa’s most effective and successful conservation initiatives. HRH Prince William, Duke of Cambridge, has been the Royal Patron of Tusk since 2005 and has been a powerful advocate for Tusk’s work ever since. This year’s Tusk Wildlife Gala featured best-selling wildlife photographer, David Yarrow, honored renowned conservationist and Kenyan politician, Richard Leakey, award-winning Director Richard Ladkani, and Academy Award-nominated Director, Kief Davidson, for their production of the Netflix documentary, The Ivory Game.
Elephants are known to have tusks grow so large they almost touch the ground, yet, those beautiful tusks that makes them unique have also put them at serious risk. 100 elephants are slaughtered every day for their ivory. In fact, over the last 40 years, the world’s wildlife population has dwindled by more than half, and at the current poaching rates, elephants, rhinos, and other iconic African wildlife may be gone within our lifetime. The destruction of Africa’s natural resources have reached an unparalleled level due to the increase in illegal trades, rapid population growth. If this continues, the African wildlife will be in serious woe.
Tusk devotes resources in three areas to protect Africa’s wildlife. The first element provides the first line of defense by providing rangers on the ground to fight against poachers. The second element is an education program which have already reached over 350,000 children. By offering knowledge and new career paths, the next generation of kids will come to cherish the wildlife and become part of the solution. The third element is community development and income generating programs. Tusk’s programs provides employment to many people convincing local communities to realize the value of their natural resources.
The evening started off with a cocktail hour, and guests mingled while the silent auction offered up some great items to practice bidding before the live auction during dinner. After admiring some beautiful people arriving on the red carpet, we were ushered to take our seats for dinner. I was lucky enough to be placed at a wonderful table with the loveliest women. They shared with me so many wonderful stories and had me at all smiles the whole night. The ladies were even generous enough to donate a few of their jewelry pieces from their company, Gustav Manz, for the silent auction. I am so glad and honored to have been at the table with such extraordinary people.
The Legacy Award recipient and honoree of the night was Richard Leakey, who was recognized for his tireless conservation efforts that reduced poaching in Kenya. Leakey first gained worldwide fame for discovery of a nearly complete 1.6-million-year-old skeleton of a homo erectus youth, a pioneering contribution to the study of the evolutionary biology. In addition, this year’s Game Changer Award was also given to Richard Ladkani and Kief Davidson in acknowledgment of their Oscar shortlisted Netflix film The Ivory Game. Leakey and Jane Goodall could not be there, but delivered their message by video, both offered their voices to better the world. Every speaker’s speech resonated with impact, but when Tusk founder and President Charlie Mayhew said “It’s now or never,” it really summed up the urgency of the issue.
From major pieces of art by David Yarrow to incredible Safari trips, the amazing auctioneer from Sotheby’s had the crowd raising their bids from table to table during the live auction. The dinner smoothly transitioned into a celebratory party, featuring a safari photo booth complete with binoculars and safari hats. The guests got on the dance floor and swayed the night away to the feel-good music courtesy of DJ Flo.
An evening of altruism and awareness, the night at the gala proved to be an eye-opening occasion of conversations about conservation and what we can do to change the lives of the people and endangered animals that call Africa home.
From the cocktail hour to the sit-down dinner to after party, Tusk's wildlife gala was packed with moments to reminisce and thought-provoking wisdom we'll never forget. African wildlife are a symbol of the natural world, yet only a fragment of that remains, and it is crucial that we all do our part to help. Congratulations to Tusk Gala for another extraordinary night. For more information and how to donate to Tusk, click here.
Photos courtesy of Annie Watt and Tusk
Flyby Cures Hangover
Your stomach is queasy, your thoughts are disarrayed and your head feels like throbbing misery. We have all been there before. Common side effects of a hangover leading to us saying “never again”. But again comes, and so too does the whole process followed by the inevitable hangover. While 90 percent of the alcohol you intake is detoxified by your liver, the process can only happen so fast. Typically, the more drinks you consume, the more those troublesome hangover symptoms are stimulated. However, there is now a way to avoid the morning after migraines and not compromise on enjoying a night out with friends.
While many people have their own theories on how to speed up the post-binge recovery, only a few have proven to actually work for everyone. From eating greasy foods to chugging Pedialyte, there are many methods to recover from drinking. However, what if there was a preventative measure that you can take to stop the hangover from ever occurring? Would you give it a try?
On a trip to Japan, Eddie Haui, now creator and CEO of Flyby, was inspired by the result of trying a drinking supplement intended to reduce the negative side effects of over drinking. Eddie spent over a year of in-depth research and testing to create a product available in the states to ease waking up after a night of drinking. Flyby is now a hangover cure in capsule form, jam-packed with vitamins and nutrients to counteract the toxic buildup catalyzed by alcohol. The pills are gluten free and contain zero genetically modified ingredients to ensure the most organic nutrient replenishment. Working with your liver, instead of against it, Flyby was designed through science to support the body’s natural rhythm of metabolizing toxins.
To celebrate their official launch, the Garret East hosted an event on March 28, 2017, inviting guests to be some of the first to experience Flyby. Cocktails were complementary as well as individual packets for guests to grab before heading to the bar. Eddie is proud to introduce the successful result of hard work and determination, hoping to relieve many of a rough day with Flyby. Next time you head out with your friends, be sure to pop two Flyby tablets, or three if the night is young.
Photos courtesy of Ethan Covey
The Lately
Chelsea just added a new bar to their already all-encompassing nightlife scene. LDV Hospitality and Den Hospitality, two of New York’s most exuberant restaurant groups teamed together to bring The Lately- a cocktail bar and restaurant in the heart of Meatpacking. Located at 357 West 16th St, if the address seems familiar, that is because it was the former space of nightclub/celerity hotspot No.8. The Lately offers the rustic feel of an escape to a luxurious cabin upstate without ever leaving the city. Guests can sit back in a booth, hang out in the living room area or relax by the bar’s glowing fireplace. The decor is comfortable, yet modern and lively, a truly unique location for the area.
The drink menu consists of a tiered system to cater to the likes of all Lately-goers. Tier one features classics and signature favorites such as the Moscow mule and margaritas. The second tier elaborates upon these to create innovative concoctions utilizing fresh juices, amaro, and activated charcoal. The last tier, and therefore the most daring, makes those timeless drinks everyone knows and loves unrecognizable. Tier three options, The Glad Fact and The Ultramaroon, hardly mimic their tier one counterpart, but provide a whole new taste and blend of ingredients to the signature cocktail menu.
Coworkers can grab drinks after work during the week until 2 AM. For the end-of-the-week crowd, the Lately will stay open until 4 AM Wednesday through Saturday. For those who also want something tasty to complement their cocktail, the kitchen menu consists of dishes influenced by the street food culture of the city.
After a grand opening on March 24th 2017, the Lately is now open to the public and welcomes all to stop in, grab a drink, and have fun. Work your way up to a tier three cocktail or, if you’re feeling adventurous, start off with the Ultramaroon.
Photos courtesy of Asia Coladner
Guggenheim YCC Party 2017
FlucT
An architectural wonder of New York City, the Solomon R. Guggenheim Museum is as unique in construction as the art displayed inside. The art exhibited within the museum is both contemporary and modern with a concentration on pieces of 20th century and present-day design. The Guggenheim is a remarkable place to experience continuous artistic innovation and cultural diffusion
Quenton Stuckey
Founded in 1996, the Young Collectors Council (YCC) has added more than 140 pieces of artwork to the Guggenheim’s permanent collection. The council, in collaboration with the Young Collectors Council Art Fund, encourages and financially supports both developing and reputable artists of contemporary focus.
Kim Brandt
On March 9th, 2017, the YCC invited guests to the famous Guggenheim rotunda to celebrate an outstanding 20 years of supporting the arts. Only one party can dragged all of its distinguished gusts way uptown for an unforgettable night. Before the festivities, invitees were treated to an intimate dinner and cocktails at the Wright, the highly rated restaurant located within the museum itself. Afterwards, the museum came alive as celebration began in the late hours of the night. Throughout the night, guests were treated to modern dance performances by Kim Brandt, FlucT, Sam Roeck, and Quenton Stuckey. These young members definitely knew how to have fun and were urged to let loose on the dance floor to sets from DJ Ryan McNamara.
Ryan Mcnamara
The event space was truly unique, offering a carousel of multiple floors open to exploration. The rotunda walkway led guests upward for a view of the event from above. However, no matter how far up you went, the party was never too far away -- or out of sight. The crowd was full of energy and the dancing continued late into the wee hours of the night. However, before leaving, guests made sure to take pictures with the wall of red and purple flower appliqué constructed specifically for the event.
Anne Huntington, Lauren Hinkson, Alexandra Economou, Kyung An, Noreen Khalid Ahmad, Susan Thompson, Ylinka Barotto
Michael Xufu Huang, Caroline Hoffman
The Guggenheim, typically only open during the day, re-opened its doors for art and fashion enthusiasts in celebration of the YCC’s 20 years. Funds raised from the evening will continue to benefit the work of contemporary artists and the masterpieces collected for permanent display within the museum. To make sure you are part of this amazing party next time be sure to check out all the latest happenings, including events like this one, at guggenheim.org.
Photos courtesy of BFA and Guggenheim
Lincoln Center Young Patrons Gala
On the night of November 28, 1966, guests dressed in gowns of black and white concealed their identity in true masquerade fashion and celebrated in the ballroom of New York’s Plaza Hotel. Only 480 invitations were sent out in the mail, offering acceptance to only the most distinguished guests. The event? Truman Capote’s illustrious Black and White Ball, held to honor the city’s media heiress of the time, Katherine Graham. On March 2nd, The Young Patrons of Lincoln Center invited guests to partake in a re-imagining of Capote’s legendary night to celebrate the performing arts center and its dedicated members.
The night was filled with lively entertainment, cocktails, and special guest performances. Masks were encouraged and attire was specified to “black and white festive” alluding to the Black and White Ball of the past. Floor length gowns and suits of black tie’s best graced the hardwood floor of the ballroom in tribute. Famed DJ set from Hannah Bronfman and Brendan Fallis had the guests dancing the night away.
The Angel Orensanz Center remains a spacious, architectural masterpiece, the perfect venue for a masquerade ball. The space still resembles the original 19th century construction, transporting guests back to a feeling of true historical masquerade celebration. The lighting of the place illuminated a misty glow of purple and blue, an ambiance extenuated by stained glass and the interior detail of the former synagogue.
Guests danced, laughed, and mingled until the clock struck 11. A photo booth and red carpet prompted both fun and serious photo taking, capturing memories sure to last. From the start of the party to when it was time to grab coats, smiles stretched as far as the dance floor.
The Young Patrons of Lincoln Center Gala was held in awareness for the arts and inspired connections throughout their community of loyal members. Members support the success of Lincoln Center through attending the gala and other special events, conducting public outreach and contributing generous donations to the program. By taking part in festivities such as these, members are able to meet and enjoy the company of others sharing the same passion for the arts and inspire others to become involved.
Photos courtesy of YPLC
The Armory Show 2017
The Armory Show is a renowned international art fair that has been taking over Pier 92 and Pier 94 annually for over two decades. The fair runs for four days and features art from the 20th and 21st Century, offering a mixture of well-known contemporary pieces and new emerging artists who are just beginning to establish themselves in the world of visual arts. It is an opportunity not just for art lovers who wish to lose themselves within the many high quality pieces on display, but also a chance for collectors to connect with galleries from all around the globe, meeting curators and art professionals alike.
Five unmistakable exhibitor sections help you find your way through nearly two centuries of international art. This year the Show was divided into Galleries, Insights, Presents, Focus and Platform. The highly anticipated Platform debuted this year and features large-scale, sometimes interactive, installations, art works and commissions.
Wandering around the 250 000 feet area that the exhibition has occupied, you get to see people from all walks of life coming to enjoy art. It is as eclectic as the pieces themselves; everyone from college students working on an assignment over families enjoying a day out to polished art professionals are strolling around. And just as many languages can be heard, which is not surprising since the Armory Show boasts works from over 200 galleries from 30 different countries all around the world.
Every so often you stumble across a Champagne Lounge, where people are wandering about between the white walls separating the different galleries, enjoying something sparkly and chatting up a storm. The entire atmosphere of the show is relaxed and welcoming, which is probably a part of the reason it attracts about 65,000 visitors every year. Everyone can find their niche, everyone will find something amongst the vast space that captures their eye and their hearts, lingering with them long after they have left the Armory Show.
Photos courtesy of Teddy Wolff and BFA
The Blonds F/W 17
Image: EB Consults
The Blonds Fall/Winter 2017 runway show was a magical experience from start to finish. Guests stepped into a mystical wonderland filled with enthusiastic guests and loyal fans of the avant-garde brand. Previous collections from The Blonds have been influenced by both classic cinema and imaginative films of the modern era. For their Fall/Winter 2017 collection, inspired by Universal Pictures' upcoming film The Mummy, The Blonds present a narrative collection based on the story of an ancient princess whose destiny was unjustly taken from her and who is awakened in our current day.
Image: EB Consults
With a view through their uniquely glamorous lens, The Blonds collection is an interpretation of the evolution of The Mummy's title character, a fearless warrior who has embraced her destiny. Using the conflict caused by juxtapositions — hard ornamentation that embellishes rich voluminous fabrics versus soft textiles that have been harnessed into structural pieces such as The Blonds classic corset — The Blonds' vision appears with each piece, revealing the complex-yet-commanding spirit of the woman who wears it.
Image: Getty
Pictured: Randy Jackson, Paris Hilton, Guest, and Adam Lambert sitting front row
Guest who sat front row at the show included Adam Lambert, Cardi B., Miss J Alexander, Randy Jackson, Hayley Hasselhoff, Hrush Achemyan, Paris Hilton, Sharaya J., Leigh Lezark, Grace Mitchell, Bebe Rexha, Krysta Rodriguez, Toni Romiti, Amanda Steele, Joe Zee, Patrick Starr, Patricia Field
Image: Getty
As the collection is presented in pairs, duality is the overarching theme. One girl is a manifestation of pure, elevated fantasy worthy of center stage. The other is her twin, a wearable, real-world embodiment of the powerful woman who walks among us. After each model made their way down the catwalk they then went to pose in separate cohesive groups in the center of the runway in with matching colors, fabrics, and themes, giving guests the ability to not only see the collection in its entirely, but also individual themes within.
Image: EB Consults
They biggest surprise of the night was when the last model walked off stage, Phillipe himself appeared as a mummy in full drag and a showstopping over-decorated catsuit. It was the perfect finale outfit that would suit your favorite diva of any gender or identity.
Congrats on an incredibly unique show! A special Thanks to Emily from EB Consults for inviting us!
photos courtesy of EB Consults
Irina Vitjaz F/W 17
The Austrian-Russian designer once again paid homage to her family’s ancestry which is strongly linked with Russia’s own history, going as far back as the 17th Century. Irina’s ancestors served the Tsar with a nobility,elegance and flair that she incorporated into the designs she presented at her Fall/Winter Showcase.
The show was held at Skylight Clarkson Square, the vast space transformed into the backdrop for her designs. Apart from the runway itself, everything from the walls to the seats were in black, with dramatic music blasting over the speakers. The atmosphere was bordering on somber, were it not for the designs being presented. The mood of the room, the darkness everything was delved in, served to draw all eyes onto the models strutting the clothes down the center -- and by the looks of it, no one was able to turn away.
The majority of the looks were floor length evening or bridal gowns, most of which were embellished with Irina Vitjaz’ typical flair and drama. The emphasis in the collection was particularly on the play with fabrics, teaming see through mesh shirts with long velvet skirts, flowing silk over a figure hugging dress and shiny textures demanding the attention they deserve. The designer clearly was not afraid to add more and more, embellishing many already attention grabbing gowns with beads and sequins.
Apart from the clothes, the models were all styled naturally, their hair arranged in soft curls, barely any makeup and nude heels in order to really let the gowns speak for themselves. And speak they did: Irina Vitjaz took a bow at the end under enthusiastic applause, proving that her flair for embellishments and dramatic statements was a gamble that paid off.
Photos by Ashley Gallerani
Maison The Faux Presents Faux Cosmetics
A lipstick brand that is proud to help you find your inner FAUX-self? Maison the Faux takes pride in the humor and sense of irony instilled in their brand image, and Faux Cosmetics will surely be no different. The fashion house has created a cosmetic line of dramatic looks encouraging individuality, expression, and rebellion. In fact, their debut collection is said to be composed of only a few main ingredients such as confusion, desire, recyclable trash, and glamour.
Maison the Faux, translated to the “Fictional House”, is renowned for their slight mockery and reactive responses to mainstream fashion. To embrace the individual style of potential wearers, the line consists of shades given clever and distinct names such as ‘Shocking Suede’ and ‘Narcissistic Nude’. The brand encourages all to be a little rebellious with their choice in color.
The premiere of Faux Cosmetics took place on February 11, 2017, during NYFW in Pier 59 Studios. To present the brand new collection, a runway show was held in pure Maison the Faux fashion. Models were dressed in ensembles of lacquered jackets and lace-up sets of tops and bottoms completed with fishnet tights and thigh-high boots.
A few models fled down the runway in a hurry, lipstick in hand, to tease the crowd with the new product. Others carried full trash bags or pushed trash cans of pink flowers, all of which were at some point left on the catwalk during their walk. However, each model had one unmistakable detail: dramatically smudged lipstick. The ultimate ironic aesthetic: challenging the norm of perfectly lined lips with the humor of purchasing a lipstick to wear it messy. The show closed in a fury of supportive claps and hollers, ensuring the concept of Faux Cosmetics had been well received.
Photos courtesy of Maison The Faux
Alexander Wang F/W 17
By now, most people know that an Alexander Wang fashion show is not just a show, but an experience. This season was no different.
Wang has a history of staging his shows in unconventional locations. In the past, a Brooklyn greenhouse, a church, and even a bank have all been locations for the WangFest. This time around, he continued that tradition by staging his Fall/Winter 17 in the abandoned historical RKO Hamilton Theater on Broadway and 146th street in Harlem.
The invite declared, “no after-party”, a theme which was repeated throughout the night on entrance wristbands and on models’ tights.
The thought of a Alexander Wang show without an after-party sounds almost ludicrous, however, Wang turned it up a notch to ensure the show itself was a party. Upon their arrival at the historic theater, invitees were presented with a sea of Peroni kegs making certain that no guests were to stay thirsty.
After grabbing a drink or two, guests made their way to the “standing room only” stage where the music by MetroBoomin was literally ground shaking.
Wang fest is usually one of the most anticipated events during the fashion week, infamous for its celebrity-packed guest lists. The Wang Gang rolled deep, as a flood of black SUVs crowded outside the theater hiding inside them countless super celebrities from all walks of life. VIPS like A$AP Ferg, Teyana Taylor, Sofia Richie, Fetty Wap, Ansel Elgort, and Brooklyn Beckham were just a few on the epic guest list. Kylie Jenner, accompanied by Tyga, was also present to cheer on her sister Kendall and friend Bella Hadid.
While the Spring/Summer collection was refreshingly all sportiness and colorful with models in vibrant bikini tops and variation of scuba gears. For the Fall/Winter collection, old habits die hard for Wang as he relapsed to his trademark all dark garb theme.
Lead by star models Bella Hadid and Kendall Jenner, the collection featured a series of skintight leather trousers, militaristic suit jackets, metallic tailored dresses, and graphic tees – a look in which Bella killed, in a good way. Alexander Wang knows what the people want.
And as long as there are fashions weeks, there will be people dying to experience Alexander Wang.
The NYLON Project
The prominence of homelessness affects individuals and families within cities and communities nationwide. Specifically, New York City has experienced a devastating 115 percent increase in homelessness in just the past twenty years. The NYLON Project is a new initiative aimed to unify and encourage positive change within the metropolitan and the homeless community. Jordana Guimaraes, the founder of the NYLON Project, understands the project might not be the solution, but it is a huge step in the right direction.
The project will utilize social media to create a platform of experiences, messages and personal journeys by using the tag #ItCanBeYou. The intention of the tag is for everyone to share their connection to homelessness and any community involvement in aiding this demographic. This campaign will demonstrate the reality of homelessness and the difference in decision-making that could avoid or lead to a life without a home. The focus is to create an understanding of the circumstances that caused these individuals to become homeless and to eliminate judgment of their situations.
Influencers and celebrities have come together to spread awareness of the issue and committed their time to inspire change. Christina Milian and Jenni Farley (JWOWW) are just two of the twenty-five influencers who have dedicated their time in speaking out on behalf of the NYLON Project.
To launch the initiative, the NYLON Project hosted a New York Fashion Week event on February 7, 2017 at The Delancey. Guests enjoyed networking and live performances from the band FAULKNER, singer Che’Nelle, and The Voice season 11 contestant, Wé McDonald. A runway show highlighted the personal stories of homeless members within the New York community. All twenty-five influencers involved with the campaign modeled in the show, carrying cardboard signs with messages from homeless people written in black ink. The attire from the fashion show was sponsored by many chic brands including Anje Clothing, Belle Fare, Fair Harbor, JayDee, Eternal Springs, SCRD, Wild Mantle, SoFrancisco, Karli Buxton, The Valencia, Mana Made Jewelry, Lonewolf Collective, HERO New York, Conscious Step, Mr. Custom Made, ARMARIUM, House of Eleven and Alkemi Collective.
The launch was an immense success and the NYLON Project is officially active in the movement to end homelessness. The focus will start with the New York City community and hopefully will soon touch lives worldwide.
To help or donate to The NYLON Project click @nylon_project
Photos courtesy of Nylon Project
You're Killing Me Susana: Review
You’re Killing Me Susana is a dark romantic comedy based on the book Ciudades Desiertas by Jose Augustin. The movie follows the turbulent relationship between intellectual writer Susana (Verónica Echegui), and Eligio (Gael García Bernal), her loving but controlling actor husband. Our first glimpse of their relationship is Eligio coming home drunk late at night after we see him flirting with other women. The first fifteen minutes of the movie continue on this way until Eligio realizes that his wife has left. This already sets up the uneven power dynamic and emotional exchange of their relationship. It made sense story-wise and thematically that Susana had very few lines as Eligio was very selfish in their relationship.
Watching Eligio’s journey from Mexico to small town Americana is one of the more captivating parts of the movie. The visual contrast between the lively vibrant streets of Mexico and the overcast gray landscape of Iowa perfectly illustrate Eligio’s drastic re-orientation. The film is subversive in that the relationship between Mexico and the United States parallels this power dynamic between Eligio and his wife. Whereas back home in Mexico Eligio’s status as male allowed him to do as pleased, immediately upon entering the US, Eligio’s movement and autonomy are restricted. Indeed before he is even allowed to enter the country he is subjected to a cavity search, the ultimate threat to a traditional sense of masculinity.
The movie of course ends with him spanking his wife. Thus he in a sense “reclaims” his masculinity. There is also a very intimate relationship between Eligio’s performed hyper-masculinity and whiteness in the United States. It’s under siege throughout the entire movie, whether it be by the white woman in Susana’s class who teaches him how to shoot a gun properly, or being chased down by the police for not paying cab fare or the final insult when Eligio catches his wife having sex with a Polish man.
It’s tempting to view Eligio as nothing more than an overly controlling and paternalistic figure. But his position in many ways parallels the US and it’s relationship to foreigners and people of color. Eligio is most interested in Susana when she conforms to his idea of what a good woman and a good wife should do. He appreciates her talent as a writer but in many ways brushes that aside in favor of her appearance. Eligio upon entering the United States is immediately exotified and sought after mainly for his perceived attractiveness and fitting the idea of what a Mexican “should” be. And while Eligio is bumbling he has a somewhat misled sense of superiority and haughtiness, which looks comedic in the face of his many ineptitude.
Eligio manages to shed his toxic masculinity for the most part when he returns home to Mexico. Eventually Susana comes back to Eligio and they are a couple again. But only after Eligio spanks her into saying she loves him. The movie ends with them smiling after having more or less the same kind of argument they always have. It’s implied that they will get back together and possibly fall apart the way they did before. The hanging ending invites the viewer themselves to ask “is it all worth it?” without ever forcing an answer on anybody.
La La Land: Review
Director Damien Chazelle has once again knocked it out of the park with this year’s La La Land; following his critically acclaimed film, Whiplash, in 2014. Chazelle’s preference in creating films with musical elements is seen again in La La Land; a modern day musical telling the romantic story of aspiring actress Mia (Emma Stone) and jazz enthusiast/pianist Sebastian (Ryan Gosling).
As both director and screenplay writer, Chazelle deserves all the praise in the world for what he’s done with La La Land because of the clear direction and vision he had with the film. The film consists of a number of long takes to nail the feel of a musical as well as authenticate the experience of watching its musical numbers. Mia and Sebastian are two characters you end up deeply caring for and rooting for to succeed. Their relationship is so believable that it gets the audience emotionally invested, all thanks to the powerful performances of Emma Stone and Ryan Gosling. Stone and Gosling are the perfect on-screen couple as Mia and Sebastian, with their chemistry being second to none. While neither had any prior musical experience, Stone and Gosling mastered all parts of the film in which they had to sing and dance. Gosling started with zero piano experience and was the subject of worry from Chazelle, but after months of piano lessons, we got what we see on screen; beautifully crafted piano playing with no sign of movie magic or hand doubles to edit Gosling’s astounding performance. While Gosling gives a strong performance, Stone is the one who absolutely owned her role as her performance in La La Land is perfect. Her character, Mia, is the one you feel most absorbed in because Stone is able to bring her character to life; living and breathing as the aspiring actress in Hollywood. One can’t help, but wish for the couple to succeed in the pursuit of their dreams as well as hope their love triumphs over all other obstacles.
La La Land deserves all the critical acclaim for its musical score and musical numbers from Justin Hurwitz. While its opening number “Another Day of Sun” is grand and fantastic, La La Land’s smaller and more personal numbers are the real spotlight, such as “Audition (The Fools Who Dream),” and “City of Stars,” performed by Stone and Gosling respectively. Overall, the soundtrack is an absolute joy to listen to and had me listening to it as soon as I finished watching.
The only minor gripe I had with the film was the use of Sebastian’s high school classmate Keith (John Legend). While I understand his role in the plot, it never felt like his involvement with Sebastian and Mia ever came full circle.
As others have stated, La La Land is a love letter of sorts or an ode to L.A., but at its core is a story about dreams, passion, and the drive to succeed. In old Hollywood movies, there would usually be a happy ending where all loose ends are tied up in a nice bow. La La Land, however, doesn’t try to portray this fairy tale and often times pokes fun at the very concept of a fairy tale story. This film contains the perfect marriage between going after your dreams and the reality of sacrifice for a fulfilled life. In a city of dreams, not all of them come true no matter what you wish for. I absolutely La La loved this film and give La La Land a personal rating of 4.75 out of 5 stars.
Operation: Heal Our Heroes 3rd Annual Call to Arms Gala
In October of 2014, two men, Patrick Bolchoz and former Army Captain Everett Weston, formed Heal our Heroes in commemoration of the life and dedication of service of their dear friend, Captain Francis “Franky” Kim. Captain Kim served the United States Army in Afghanistan and was later relocated to Washington as a Rear Detachment Commander. His duty was to deliver flags to the families of the fallen within his own unit. Patrick Bolchoz spoke with us on behalf of the allegiance of his best friend, explaining Franky felt he should have still been stationed alongside his unit. A year before the founding of Heal our Heroes, Franky took his own life. The spirit of Captain Franky Kim and his selfless commitment to our country became the inspiration behind Heal our Heroes.
Patrick Bolchoz and Everett Weston crossed paths for the first time at Franky’s funeral. The connection was instant and their lives seemed to “collide in every positive way,” as described by Bolchoz. The idea for Heal our Heroes evolved from the desire to keep Franky’s spirit alive. With mutual friends and business partners, plans fell into place and the organization gained an immediate, positive response.
Heal our Heroes brings a sometimes forgotten and often unspoken aspect of military service to the forefront. Returning veterans are not always able to leave behind the vividness of their experience. Service-related Post-Traumatic Stress Disorder maintains a psychological connection between our veterans and their involvement while deployed. PTSD has influenced a suicide epidemic, taking the lives of nearly 20 veterans per day- a number that has fallen from 22 since the start of the organization in 2014 and a significant stride in their effort to decrease the PTSD-related suicide rate.
Through continuous advocacy, awareness campaigning, and the raising of resources, Heal our Heroes is able to provide veterans with accessible mental health care services. For every $5,000, a veteran suffering from PTSD and other trauma-related stress will receive a lifetime of professional care and support. Awareness is crucial in tackling the epidemic as the issue is, “under-sourced, oversubscribed, and quite frankly forgotten,” as explained by Bolchoz.
On December 2, Heal our Heroes celebrated their 3rd annual fundraising event in the Metropolitan Pavilion. Guests enjoyed live performances, complimentary cocktails, and food catered by ANEU catering & events. Donations could be made through the silent auction and raffle. Every event was centered around raising awareness for our nation’s veterans and the prevalent reality of service-related Post-Traumatic Stress. The heart and soul of Captain Franky Kim is remembered through Heal our Heroes as they strive to improve the lives and health of veterans after deployment.
A very special thank you to Patrick Bolchoz for taking the time to speak with us. And another special thank you to Hubb House PR for inviting us.
Photos courtesy of Hubb House PR
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Rogue One: Review
Another year, another Star Wars film -- except this isn’t just another Star Wars film. Director Gareth Edwards brings us the story of a ragtag group of people from the Rebel Alliance and their mission to steal the Death Star plans from the Galactic Empire. Going into this film, many were curious as to how the general audience would receive a story that’s not mainly connected to the major plotline. There were rumblings as to whether or not this film is a sequel to J.J. Abrams’ The Force Awakens and confusion as to whether or not Felicity Jones’ character is the same as Daisy Ridley’s Rey. Rest assured, the distinction is made clear from the opening sequence of the film, detailing a young Jyn Erso’s (Felicity Jones) background, which clearly contrasts Rey’s mysterious parentage.
As reported by many news outlets, the film had a more dreary tone than the saga films. In contrast to to the saga films, a darker, bleaker world of Star Wars was presented to the audience in Rogue One. It really brings back the “war” in Star Wars, as the film has a ton of amazing action sequences, space battles, and blasters- basically everything a Star Wars fans could ask for. The original trilogy depicted the Rebel Alliance as a heroic group of soldiers, but Rogue One portrays the Rebels at the brink of desperation, with their backs against the wall.. Cassian Andor (Diego Luna) managed to perfectly exemplify this side of the Rebels as he’s put in situations throughout the movie where he’s conflicted with the orders given to him by the Rebels and his own morals. Diego Luna’s acting really strengthens the impact of every scene he’s in, and he is able to convey Rebel’s gloomy situation to the audience masterfully. Coming off her academy award nomination for The Theory of Everything, one can already assume Felicity Jones would bring her A game and boy did she! There were multiple instances in which you can’t help, but sympathize with her character Jyn. I was so moved by her performance that there were few instances that almost brought tears to my eyes over her own personal strife and the eventual acceptance of her fate. With a well-assembled cast, all the characters had their moments to shine. While Galen Erso (Mads Mikkelsen) has less screen time than other characters, he does without a doubt play a key and significant role. What he did in the movie manages to enrich the story of the original Star Wars: A New Hope as well as explain a looming question that have always comes up in discussions of the movie. Orson Krennic (Ben Mendelsohn) is a great villain not because he’s menacing or successful in his ventures, but because he’s very human; he made mistakes and displayed the emotional outcome from conflict between himself and another Imperial officer.
Rogue One did bring back a well-known character not just in Star Wars fandom, but in pop culture in general: the infamous and iconic Darth Vader. While there was much speculation on how big of a role he plays in the film and how much screen time he gets, I can say that his part is small, but justifiably so. Many would have hoped he had more screen time, but the story revolves around this group of Rebels’ mission and the filmmakers wouldn’t have wanted to detract away from that. Easter eggs and little bits of information pertaining to the saga films were treated with care and felt very organic to the story without blatantly name dropping. Darth Vader’s scenes are short, but so amazing that one of his scenes can easily be considered one of the greatest Star Wars moments of all time. I think the unexpected breakout character of Rogue One was the droid K-2SO, voiced by Alan Tudyk. For a droid, K-2SO had so much heart and, in some ways, had more character development than most of the other characters. For a darker film, Alan Tudyk was able to bring a lot of humor, sass and charm. I applaud the handling of where this movie fits in the timeline as Gareth Edwards ensured Rogue One flowed seamlessly into the next film.
Minor gripes I had with the film starts with things that happened or didn’t happen before the film actually began. This film felt very geared towards the more knowledgeable Star Wars fan than the casual fan. The signature opening crawl of all Star Wars films is missing and feels missed not just because of the nostalgia it gives off, but because it would have helped the audience ease into the film and digest new info easier. The score itself isn’t anything to brag about and it missed John Williams-esque style and flair that his music usually adds to films. Another minor issue is the film’s second act. While the first act is paced quickly to introduce characters and plot points, the second act feels slower and longer with a lot of setup for the third act. The setup for the third act, however, pays off well as the third act really picks up and takes off as an action packed, well tied together story. What I found most troubling about this film is the use of CGI for a certain character. While I understand the character to be necessary to the story, his presence felt very jarring. Often times it took me out of the movie and had me thinking about the CGI and the risk they took instead of focusing on the scene itself.
Rogue One does what the filmmakers originally set out for this film; to stand on its own as a Star Wars film that’s different than the saga films. For its dark tone, Rogue One perfectly shows the coming together of a group of people for a greater cause through heroism and sacrifice. Through clear direction from Gareth Edwards, as well as an amazingly talented cast, Rogue One solidifies its place in Star Wars history as one of the greats. It not only manages to stand on its own, but supplements and reinforces the story of the original trilogy. Lucasfilm and Disney should be proud of what they’ve accomplished with this film because Rogue One is sure to be a huge win. Rogue One? More like Rogue Won! Casual moviegoers are going to like this film, but Star Wars fans are going to love it. I give Rogue One a personal rating of 4.25 stars out of 5, and I invite you to go see it as soon as you can.
ASCNYC 25th Anniversary
The AIDS Service Center NYC celebrated a remarkable achievement on November 29th, marking their 25th anniversary of dedicated service. The fundraising event was held in the Tribeca 360, a space offering a stunning, panoramic view of the city. The night celebrated the service of notable honorees with the 2016 Changemaker Awards. Of those recognized were Olympic hero Greg Louganis, attorney Joseph Saltarelli of Hunton & Williams, and Governor Andrew M. Cuomo. Their leadership and activism has been immeasurable in changing the lives of those living with HIV/AIDS.
The ASCNYC operates on various levels to provide stability and a sense of community for those who have or are at risk for HIV/AIDS. The organization offers informative programs that aim to encourage counseling and educate individuals about proper testing. Support groups inspire connections among those braving life with HIV/AIDS. Mental Health services, women’s services, and various medical services are available through the organization for vulnerable individuals. The ASCNYC continues to be a source of reassurance in the face of the disease and a positive change agent for health, recovery, and self-sufficiency.
The honorees have each had an impact on the success of the ASCNYC and the lives they have transformed. Greg Louganis spoke of his personal history as an advocate for both the HIV/AIDS and LGBTQ communities.
Guests were encouraged to participate in both a live and silent auction to raise funds for the organization. Prizes included tickets for the sell-out show, Hamilton and travel accommodations for a safari stay, along with various jewelry gifts.
Eight city favorites provided cocktails and tastings for guests to try throughout the evening. Featured were Fat Witch Bakery, Frued, Lucca’s, Pampano, Penelope, Rosemary’s, Sazon Perez, and Speedy Gonzalez.
The ASCNYC will continue servicing New York residents under the new name, Alliance for Positive Change. The change was officially announced during the awards ceremony, receiving a warm round of applause from guests. The new title embodies the heart of the organization and their mission to unify and inspire in the face of adversity. The fight against AIDS/HIV will remain at the forefront of the Alliance for Positive Change.
Photos courtesy of Titus Kana
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Wonder Woman 75th Anniversary at NYCC
Since her début in 1941, Wonder Woman has endured and evolved to become a beacon of hope for fans, one of the most beloved superheroes of all time, and a canonically queer woman too. To celebrate 75 years of success, DC Entertainment, the U.S. Postal Service, and even Jelly Belly showed up at Comic Con with their own displays for Wonder Woman.
Among other things, DC Entertainment brought costumes from the upcoming Wonder Woman film, coming out in 2017, and gave attendees a close look at the amazingly detailed and intricate costumes. Four were from the upcoming movie, those of Steve Trevor (Chris Pine), Wonder Woman (Gal Gadot), Queen Hippolyta (Connie Nielsen), and Antiope (Robin Wright). The fifth costume however was not from the film, but instead from the well-known 1970s Wonder Woman television series featuring Lynda Carter.
Not only that, but DC Entertainment also teamed up with the U.S. Postal Service to produce a line of Wonder Woman Forever Stamps to honor the Amazonian Princess’ 75th Anniversary. Each stamp illustrates a different stage in the evolution of Wonder Woman, from the star-spangled skirt of the golden age to the sleek bold lines of the modern age.
Yet another fantastic display was the work of Kristen Cumings, who brought Wonder Woman to life with roughly 12,000 Jelly Bellys. After four days of tireless work at Comic Con and a variety of vibrant (and delicious) Jelly Bellys, Cumings had created an intricate work of art, which will be displayed at the Jelly belly headquarters with the Batman and Superman pieces that she has already created.
No matter what else was going on at Comic Con, this year was even more extraordinary than usual because of the 75th Anniversary of Wonder Woman.
Black Tap Midtown
The renowned Black Tap Craft Burgers & Beer premiered their 4th New York location opening on November 17, 2016. The restaurant of award-winning burgers and Instagram-worthy shakes will open at the Blakely New York in Midtown. Chef and Owners Joe Isidori and Chris Barish are excited to bring the new Black Tap location to the residents and visitors of Midtown.
Guests attending the pre-opening were continuously served house cocktails, savory appetizers, and Black Tap’s famous burgers and milkshakes. Friendly staff members encouraged guests to try everything, sharing personal favorites from the menu and offering suggestions. Classics, such as the “All-American Burger” and the “Greg Norman Burger”, will grace Midtown’s menu along with brand-new specials: the “Crispy Chicken Sandwich” and the “Vegan Burger”.
A full house was accommodated by the 90-seat Black Tap Midtown. With three dining sections, guests are given the option of booth, window, or bar seating. Black Tap serves as a modern twist to the traditional American diner theme. The décor within the restaurant utilizes metals and wood to create an edgier atmosphere. Black Tap’s menu incorporates a similar edge with added ingredients and unique names to individualize their menu.
Known for having die-hard fans forming lines that stretch around the block, Black Tap’s milkshakes are unlike any other. Isidori created the midtown location’s beverage program including shake specialties Cotton Candy, Sweet N’ Salty, Cookie Shake, Brooklyn Blackout, and Sour Power. Traditional flavors such as Nutella, Oreo Cookies & Cream, and Peanut Butter are also included on the menu. Black Tap Midtown will offer a full bar with over twenty beers, frozen daiquiris, and a full cocktail list.
Owners, Isidori and Barish, are excited for the opening of Black Tap Midtown and welcome everyone to enjoy their specialties. The team has big plans for 2017 with more New York openings and their first international opening of Black Tap in Dubai. In the meantime, stop by the midtown location and get your grub on.
Photos courtesy of Brandon Hardin.
Black Tap Midtown is located next to The Blakely at 136 W. 55th St., between Sixth and Seventh avenues. Hours are 11 a.m. to midnight daily.
Nordic International Film Festival
The Nordic International Film Festival provided a wide array of short films that engaged the personal side of life as well as more cerebral themes and ideas. Out of all the short films I’ve seen, these are the three that remain in the forefront of my mind because of their imaginative storytelling.
Running Through Life is a beautifully shot short film by Director Helen Moltke-Leth from Denmark. The entire short film is of a woman, running through different parts of the city with a voiceover that provides insight into her mind as she contemplates her thoughts, actions, and how she affects those around her. The voiceover really delivers a sense of struggle from the runner and what she wants versus what’s expected of her. Overall, it’s shot very well with a noteworthy juxtaposition of the nighttime setting with the woman's internal struggle that transitions into daybreak, implying a hopeful mindset.
You and Me is an intimate story between mother (Laufey Elíasdóttir) and daughter (Gríma Valsdóttir). Through misdirection, Director Ása Helga Hjörleifsdóttir wants the audience to think it’s a story between a man and woman who attempt to hook up after a night at the bar. It is revealed to the audience that the woman is a single mother when she closes the door to the room with her sleeping daughter inside. The woman proceeds to sleep with the man until her daughter interrupts them and which leads her to throw the man out of her home. What comes after is a display of great acting in a dialogue between mother and daughter as they reveal what their life is like, what it was like before, and what it will be like looking forward. The dynamic between the mother and daughter alludes to a role reversal of parent and child where the daughter almost plays the parent role of her mother in a cheeky, but playful way. Child actors are sometimes difficult to work with and have very little experience in most cases, but Director Ása Helga Hjörleifsdóttir seems to capture a child's natural inclination to be playful. Though it is a short film, I can't help but feel like I want more of their story because of the way the short film ends; mysterious, but hopeful.
Box, from Director Mathias Askeland, managed to get an Honorable Mention in the Nordic International Film Festival Awards with good reason. Box is the product of unconventional, but innovative filmmaking. The entire short film is shot as one long take and shows Anne Cecilie Ukkelberg and Kenneth Åkerland Berg, a couple attempting to take the perfect picture in a photo booth. While attempting to get this perfect picture, their relationship is revealed to be far from perfect as both partners fail to meet one another’s expectations in their relationship. It feels as if the photo booth is a metaphor for the boxed in or repressed feelings and problems of their relationship. The whole dialogue between them is reflective of how real life relationship problems are dealt with and seeing that reflection was both humorous and tragic. To prepare for the film, Anne Cecilie Ukkelberg and Kenneth Åkerland Berg lived together to attempt to replicate an authentic relationship. This paid off well because it would lead them to play off one another better as it really seems like both characters are in sync and manage to capture the quips they’d really have for one another. For a short film titled Box, Director Mathias Askeland thinks outside of the box and knocks it out of the park with this one.
Photos courtesy of Nordic International Film Festival
NYSPCC Food & Wine Gala
On the evening of November 14, 2016, guests dined at the annual Food & Wine gala hosted by the New York Society for the Prevention of Cruelty to Children. The event was held in the lavishly designed Metropolitan Club in Manhattan. Celebrated Chef Michael Anthony of Gramercy Tavern and Untitled at the Whitney Museum of American Art prepared his signature dish mushroom lasagna. Dinner was paired with a carefully selected variety of wines from Tournesol and Caymus Vineyards.
Fox News Anchor and Analyst, Kimberly Guilfoyle, hosted the event in light of the NYSPCC and their philanthropic involvement with abused children. She shared her personal connection to the organization, explaining that her work as a district attorney's office prosecutor this past year further encouraged her efforts in aiding endangered children.
Adam Rapoport, Editor in Chief of Bon Appetit Magazine, took the stage as the evening’s guest speaker. Lydia Fenet, auctioneer of Christie’s, facilitated this year’s reverse auction to fundraise proceeds for the NYSPCC’s Trauma Recovery Program. This program offers specialized therapies for children who have endured physical or sexual abuse, traumatic grief, and family violence.
Executive Director of the NYSPCC, Dr. Mary L. Pulido, also took the stage to share with guests the importance of protecting children from harm. Her heartfelt message explained that they are the go-to agency of New York City and emphasized the need to help their children recover.
The NYSPCC has earned worldwide respect for their commitment to protecting and reshaping the lives of neglected children. Their welfare services have investigated more than 650,000 cases in regard to more than two million children. Through research, communication, and training, they have been able to grow their services to provide counsel and prevent abuse nationwide. The organization’s unique services are instrumental in responding to the needs of children who have been abused.
Photos courtesy of NYSPCC